The apple
The apple
glistening with dew --
it has not sinned
and belongs to paradise.
(1976)
The echo of your footsteps
Earth and dust,
I do not presume to touch
the sand moved
in your walk
through the yard,
the corridors, the many rooms,
I can hear
the echo of footsteps
tapping through the silicon chips,
with every stroke lapping the water,
jumping on every grain of rice as it is fried,
chasing the children as kites fly.
Why should I need
to see you face to face
if I can trace
the echo of your pace?
(1988)
The flowerpot
“It must have been
very cumbersome
for you to carry
such a big parcel
when you must have
so many other
things to pack in.
He really shouldn’t have
bothered you.”
I had thanked
your friends, the couriers...
And now,
it stands before me,
unwrapped from layers
upon layers
of gold and blue
Wedgwood paper--
this Greek flowerpot.
What shall I put in it?
Even a cactus can die
with me --
It seems too valuable,
in any case,
to soil with plants.
Will not the black dirt
lodge itself
into the soft smiles
and loose locks
of these Grecian youths
and maidens?
What if the loam
stains the airy garments?
Earth tarnishes
this ancient imagination? --
And where shall I place it?
The top of the cabinet
is too austere to match.
Next to the telephone,
it may fall in shatters.
If on my table,
files will bury it.
And on the desk behind,
it will be forgotten --
Not knowing what to do with it,
I place it carefully
back into the wrappings,
cradled against the box,
crumpled for its protection,
and lock it safely
in my drawer...
Only I will know it is there --
this Greek flowerpot
from my little brother,
one year my junior,
who now earns enough
to send me this gift,
when once I had to subsidise,
with my tuition money,
his navy wintercoat,
needed for teen attractions.
My brother,
now a father
of a four-year-old,
smiling at me
from my noticeboard,
beaming as he was
in his rabbit suit
upon graduation
from kindergarten.
My brother,
responsible for
safety belts in Hong Kong,
representing the government
in London,
and I,
married to another country,
half a world away,
never meeting
on our visits home,
by a month or two,
except in this flowerpot
held briefly in his hands,
now cradle in mine--
let it hold
what it already holds
and be placed
where it has always been.
(1986)
The road taken
Many routes can take me
home -- Singapore is
so small, so round,
you cannot be more
than five kilometres off
or four dollars more by cab.
So why not choose
the road I like
where driving is freer,
trees greener, sea breeze clearer,
memories dearer,
though it may be longer?
So many other things
in life -- you cannot choose.
(1990)
Woman to woman
I had met them,
got to know them
as people with offices,
telephone extensions,
bookshelves, tutorial chairs
and notecards
of scrawly handwriting,
people with husbands
and a son or daughter,
who goes swimming,
takes lessons of sorts --
pictures on Kodak paper.
We had exchanged
smiles and greetings
in the corridor,
the pantry
or over the phone.
I had lunched
and dined with them
at the canteen,
the clubhouse
and the hotel restaurant.
And then I read
their poetry ...
lizards slithering through running sand
crying to escape falling into caves
subterranean rivers
gushing through buried treasures
the mummies are sleepy
in the early morning
conches glisten with coral dust
proffering the sounds from the deep
all the barracudas have evaporated
and the whales are expecting
a generation of orphans
not yet menstruating walk the city
while women in pain with first babies
labour beneath rubble
and the crocodiles are crying
... woman to woman
What can be said
in the corridor
as the cleaners pass
or over the phone
between classes?
Yes -- that was interesting,
wasn’t it?
the workshop --
And how was the poetry
competition you judged?
I saw you on TV last night --
Oh that -- more exciting
than the conference,
I must say --
there was this man
who just kept asking questions --
okay -- talk to you later --
I have to go --
meeting my publisher --
Poets?
“I’m not coming home
for dinner.”
“It;s okay.”
The toilet bowl
needs disinfecting;
algae on the bathtiles
are colonising.
It’s time to change
the bedsheets
and the underwear
has to be soaked
throughout the night
(1986)
Let me die at home
Promise me
when I grow old, if you are
still alive, you will not
send me to a hospital
to die -- a strange place
with unknown faces breathing,
voices walking in the air.
Let me die at home
in our own bedroom
with my seasoned pillows,
faded sheets,
my underwear
in neat cupboard piles.
Let me lie at home
where photos scatter
in different drawers,
magazines open
across the rug,
cushions fall.
Let me stay at home
please , no commotion
after the late news,
nervous calls, loss of tempers,
ambulance admission till 2 AM-
not for you, not for me.
Don’t give me
an operation,
however large the growth,
no brain scan, no endogram,
no drips of nutrition,
no oxygen.
Don’t move me
from hospital to hospital
in search of best surgeons.
Consider my age,
consider,
and let me go.
Quietly I came into this world --
my father was fishing in dawn waters --
let me gently leave.
Just hold me as I lie in our bed,
my lips on your fingertips
and I will softly go
home
while my red bougainvilleas
wait for next pruning,
flowering in some two weeks,
a single stalk of golden showers
flutters
in evening mist.
(1989)
What the body needs
1998 is a bad year.
It began with the bird flu,
no chickens for Chinese New Year.
Then came the red tide with dead fish,
speculators on the Hong Kong dollars.
Unemployment has climbed to 4.8 per cent.
Property prices have almost halved.
The Hang Seng Index goes down and down.
A few million lost on paper,
I am spending money as usual,
hoping to boost the economy
with my little expenditure.
How can I complain?
I still have my job and pay
and someone to welcome me
when I open the door at home.
Whether it’s a Mid-Levels’ apartment
or 400 square feet in old Wanchai,
it’s only three feet by six
that my body sleeps on.
Whatever the feast on the table --
abalone, shark’s fin, sashimi,
what I can eat is limited
by the size of my stomach.
However we may dream or lust,
bodily needs are fairly constant.
But it’s easy for me to be thankful when
what I have is already someone’s heaven.
If my family were swept away by Yangtze waters
and blisters began festering on my legs,
if I were raped as my home was burning,
would I be grateful still for the breath to utter a prayer?
Perhaps I know what the body needs.
But do I know what the body can endure?
God, the girl in Indonesia raped with a broom--
did she wake up in heaven?
(1998)
Empress for a month
Did you know,
our Empress Dowager,
when you were insisting
on taking funds
from the national treasury
meant for the protection of the people
to build the Summer Palace
for your personal treasure
that one day
the fruits of your labour,
or at least your imagination,
could be enjoyed
by anyone?
They can sleep where you slept,
bathe where you bathed,
gossip in your covered walkways,
frolick in your lake,
smell your flowers of every season,
chase your butterflies or their descendants
and eat a reproduction
of your thirty-course dinner
even for lunch...
For a certain fee,
so I heard,
anyone can be imperial.
No questions about lineage or
nationality will be asked.
But at twenty thousand a month
(or was it ten?)
even in Renminbi,
the Money of the People,
it is still
not quite for the people,
the Chinese people.
(1998)
Smell the roses
East campus, west campus,
everywhere I walk in May,
roses are blooming.
Blood red and crimson,
fiery orange, lipstick pink,
violet, blush and white.
Long stem roses stand tall,
proud as an English garden.
Low bushes hedge pavements.
Large petals unfurl one by one.
Pon pon clusters fall in confetti.
In shallow cups, yellow centres glow.
No other flower seems to grow
for fifty years on this Chinese campus,
only roses of every fragrant colour.
But everyone is reading on benches,
cycling to classes, rushing for meal times,
listening to the Voice of America.
No one is stopping to be
with roses, except me,
a visitor.
When I leave
tomorrow, who will
smell the roses?
(1998)
Vanilla in the stars
When I was a child,
I used to gaze at the stars above
our garden of roses, jasmine and lingzhi by the sea,
wondering how far away they really were,
whether they were shining still at the source
by the time their light reached me …
I was told that everyone was born with a star
which glowed or dimmed with the fortunes of each.
I also heard people destined to be close
were at first fragments of the same star
and from birth went searching for each other.
Such parting, seeking, reuniting might take
three lifetimes with centuries in between.
I had thought all these were but myths …
Now decades later, I read about the life of stars,
how their cores burn for ten billion years,
how towards the end, just before oblivion,
they atomize into nebulae of fragile brilliance –
ultra violet, infra red, luminous white, neon green or blue,
astronomical butterflies of gaseous light
afloat in a last waltz choreographed by relativity,
scattering their heated ashes into the void of the universe …
Some of this cosmic dust falls onto our little earth
carrying hydrocarbon compounds, organic matter
able to mutate into plant and animal life,
a spectrum of elemental fragrances …
Perhaps on the dust emanating from one ancient star
were borne the first molecules of a pandan leaf,
a sprig of mint or basil, a vanilla pod, a vine tomato,
a morning frangipani, an evening rose, a lily of the night …
Perhaps our parents or grandparents or ancestors further back
strolling through a garden or a field had breathed in the scents
effusing from some of these plants born of the same star
and passed them on as DNA in the genes of which we were made …
Could that be why, on our early encounters, we already sensed
in each other a whiff of something familiar, why when we are near,
there is in the air some spark which seems to have always been there,
prompting us to connect our pasts, share our stories even as they evolve …
… till the day when we too burn away into dust
and the aromas of our essence dissipate
into the same kaleidoscope of ether light
to be drawn into solar space by astral winds …
… perhaps to make vanilla in a star to be
before the next lifetime of three?
Agnes received the Nosside International Poetry Prize (Special Mention) in 2008.
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